Exhibitions 2010

Boles - Untitled

“After Teklemariam (Kenya - PDI - Grannies meeting)” (2010),
monotypes on Somerset paper, 31” x 24”

JACOB YEREX

Influence

November 25 – January 9, 2010
Main Gallery

Opening Reception: Thursday, November 25, 6 - 8 pm

Yerex's solo exhibition consists of a series of monotypes based on portraits of African grandmothers who have been working with the Stephen Lewis Foundation juxtaposed with monotype images based on the photographic collection of Salah Bachir.


Bos - Carousel

Mark Stebbins “Scraps” (2010), acrylic on wood panel, 10” x 10”

MARK STEBBINS

Lacunae

November 4 – December 5, 2010
North Gallery

Opening Reception: Saturday, November 6, 2 - 4 pm

Stebbins has recently received an Honourable Mention for the 12th Annual RBC Painting Competition - with the RBC purchase of his 2010 piece "Data Centres". His exquisite densely patterned hand-produced images depict a tension between data accumulation and degradation.


Boles - Untitled

Frank Nulf “Four Brown Shirts” (2010), 40” x 89”

FRANK NULF

November 4 – 21, 2010
Main Gallery

Opening Reception: Saturday, November 6, 2 - 4 pm

Nulf's solo exhibition will reference the SA Storm Troopers "Brown Shirts" from Nazi Germany.


Boles - Untitled

Max Streicher “Seated Figure Photogram #7” (2004),
Unique Silver gelatin print, 89” x 48”

EXPLICIT DEVOTION

October 6 – 31, 2010
Main Gallery

Art Fair Brunch Reception: October 31, 10 - 12 pm
(gallery open until 5 pm)
performance by the Element Choir at 11 a.m.

  • Max Streicher
  • Attila Richard Lukacs
  • Andrew Morrow
  • Jennifer Walton
  • Jacob Yerex
  • Nada Sesar-Raffa
  • Angela Grossmann
  • Camilla Singh
  • Tom Dean
  • Patrick Decoste
  • Margaret Sutherland
  • David Pellettier

The Edward Day Gallery group exhibition, Explicit Devotion, reflects on restrictions imposed on sexually explicit content. Whether through signage warning viewers of 'inappropriate material' or concealing black curtains, censorship in its many forms leads to restriction of thought, restriction of action and restriction of creativity. The exhibition will be featured in the month of October and over the Art Toronto weekend.


Bos - Carousel

Penelope Stewart “Facade” (2001)
installation image, Screen print on organza , 156” x 168”

PRINTOPOLIS

October 6 – 31, 2010
North Gallery

Art Fair Brunch Reception: October 31, 10 - 12 pm
(gallery open until 5 pm)

  • Doug Guildford
  • Catherine Heard
  • Penelope Stewart

Featuring Edward Day Gallery artists who have established careers through the print making process as well as work each artist produces that goes beyond the print medium.


Peter Hill - In The Beginning

Jennifer Walton “Bay of Lost Things” (2010)
oil on canvas 20” x 60” triptych

JENNIFER WALTON

Paintings for Two Seasons

September 2 – October 3 , 2010
Opening: Thursday September 9, 2010
6-8 pm

Jennifer Walton’s Paintings for Two Seasons represents Summer and Winter Canadian iconographies. The paintings represent two aspects of the Canadian landscape and their connection to the Canadian experience.


Peter Hill - In The Beginning

Andrew Morrow “Transitional Device” (2009) oil on canvas 8’ x 16’

COOL AID

Landscapes at The Day

July 17 - August 29, 2010

This years’ Summer exhibition features a refreshing range of interpretations of land, sea and air in a variety of mediums by Edward Day Gallery artists.

  • Jennifer Walton
  • James Ridyard
  • John Oswald
  • Jesse Boles
  • Dianne Bos
  • Diana Menzies
  • Nada Sesar-Raffay
  • Penelope Stewart
  • Rebecca Last
  • Peter Hill
  • Andrew Morrow
  • Leonard Brooks
  • Stev’nn Hall
  • William Irish
  • Tomoyo Ihaya
  • Tony Scherman

See you at The Day.


Peter Hill - In The Beginning

“Confluence” (2010), Oil on Canvas, 36” x 36”

Nada Sesar-Raffay

Release

June 5 - 28, 2010
Opening: Thursday June 10, 2010
6-8pm

Painter Nada Sesar-Raffay combines her sophisticated colour sense with a primal immediacy to create an exhilarating tension within her abstract surfaces. Internal scapes arise from within a pulsating chaos, allowing viewers an excavation of interior realms of crisis galvanized by paint.

A catalogue will accompany the exhibition.

View Nada Sesar-Raffay's gallery page…


John Oswald - Veils

“Ground (landscape)” (2010)
(installation shot),
video with soundtrack,
14 minute loop

 

 

John Oswald

illuminated

North Gallery until June 15, 2010

John Oswald’s new projections/videos and mixed media are installed in the North Gallery until June 15. Work includes eyeline, the chronophotic commission of three generations of the Nicole family as well as the ground video and wrapped projection piece.


Peter Hill - In The Beginning

“In The Beginning” (2010), Lightjet print on Dibond, 33” x 72”

Peter Hill

Genesis and the Mapping of Memory

May 1 - 30, 2010
Opening: Saturday May 1st,
2-4pm

In his new show of photographs and paintings, Peter Hill illuminates the process of growth, memory and synchronicity. His paintings have incorporated a specific process for the last seven years. The first step consists of mixing colours, media and water directly on the canvas. The effect produces a swamp of activity and reactions that have been captured through the lens of a camera.

The recorded physical changes on the canvas help uncover this transformational process. In the transforming alchemy, there are cues that define the landscape. In following the “instinctive tourism of infancy” Peter has captured the genesis of their growth and in the process, has created a new relationship between painting and photography.


John Oswald - Veils

“Veils” (2008) detail, c-print on transparency on flexible light sheet,
33” x 72”

 

 

John Oswald

illuminated

May 1 - 30, 2010
Reception: Thursday May 13,
5-7pm

John Oswald’s new mixed media work will be installed in the North Gallery throughout the month of May, culminating in a reception at the gallery on May 13 from 6 – 8 pm.


Boles - Untitled

Untitled, 2009 (1/4). c-print, 58" x 81"

Jesse Boles

February 4th - March 9th, 2010
(MAIN GALLERY)
Opening Reception: Saturday February 6th, 2-4pm

Boles has been working in the Hamilton area to create an extension of his Crude Landscape series with new large-scale photographs depicting 21st Century interior landscapes of industrial spaces. Boles' compositions "consciously build upon the tradition of the 19th century landscape painting, and impress us with the sublime scale of modern industry. Boles also calls to mind cinematic scenes; his images often trace zones of industrial activity through artificial light." - Art Gallery of Hamilton.


Bos - Carousel

Narbonne, France, 2001 (3/25). 18” x 18”, framed

Dianne Bos

February 4th - March 9th, 2010
(NORTH GALLERY)
Opening Reception: Saturday February 6th, 2-4pm

Dianne Bos has received national and international acclaim for her innovative work with pinhole photography. Bos states: “My work challenges the view of photography as a way to “capture an instant in time.” By using pinhole cameras and long exposure times I record, not an instant, but rather the passage of time at a site."