Exhibitions 2010
“After Teklemariam (Kenya - PDI - Grannies meeting)” (2010),
monotypes on Somerset paper, 31” x 24”
JACOB YEREX
Influence
November 25 – January 9, 2010
Main Gallery
Opening Reception: Thursday, November 25, 6 - 8 pm
Yerex's solo exhibition consists of a series of monotypes based on portraits of African grandmothers who have been working with the Stephen Lewis Foundation juxtaposed with monotype images based on the photographic collection of Salah Bachir.
Mark Stebbins “Scraps” (2010), acrylic on wood panel, 10” x 10”
MARK STEBBINS
Lacunae
November 4 – December 5, 2010
North Gallery
Opening Reception: Saturday, November 6, 2 - 4 pm
Stebbins has recently received an Honourable Mention for the 12th Annual RBC Painting Competition - with the RBC purchase of his 2010 piece "Data Centres". His exquisite densely patterned hand-produced images depict a tension between data accumulation and degradation.
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Frank Nulf “Four Brown Shirts” (2010), 40” x 89”
FRANK NULF
November 4 – 21, 2010
Main Gallery
Opening Reception: Saturday, November 6, 2 - 4 pm
Nulf's solo exhibition will reference the SA Storm Troopers "Brown Shirts" from Nazi Germany.
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Max Streicher “Seated Figure Photogram #7” (2004),
Unique Silver gelatin print, 89” x 48”
EXPLICIT DEVOTION
October 6 – 31, 2010
Main Gallery
Art Fair Brunch Reception: October 31, 10 - 12 pm
(gallery open until 5 pm)
performance by the Element Choir at 11 a.m.
- Max Streicher
- Attila Richard Lukacs
- Andrew Morrow
- Jennifer Walton
- Jacob Yerex
- Nada Sesar-Raffa
- Angela Grossmann
- Camilla Singh
- Tom Dean
- Patrick Decoste
- Margaret Sutherland
- David Pellettier
The Edward Day Gallery group exhibition, Explicit Devotion, reflects on restrictions imposed on sexually explicit content. Whether through signage warning viewers of 'inappropriate material' or concealing black curtains, censorship in its many forms leads to restriction of thought, restriction of action and restriction of creativity. The exhibition will be featured in the month of October and over the Art Toronto weekend.
Penelope Stewart “Facade” (2001)
installation image, Screen print on organza , 156” x 168”
PRINTOPOLIS
October 6 – 31, 2010
North Gallery
Art Fair Brunch Reception: October 31, 10 - 12 pm
(gallery open until 5 pm)
- Doug Guildford
- Catherine Heard
- Penelope Stewart
Featuring Edward Day Gallery artists who have established careers through the print making process as well as work each artist produces that goes beyond the print medium.
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JENNIFER WALTON
Paintings for Two Seasons
September 2 – October 3 , 2010
Opening: Thursday September 9, 2010
6-8 pm
Jennifer Walton’s Paintings for Two Seasons represents Summer and Winter Canadian iconographies. The paintings represent two aspects of the Canadian landscape and their connection to the Canadian experience.
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COOL AID
Landscapes at The Day
July 17 - August 29, 2010
This years’ Summer exhibition features a refreshing range of interpretations of land, sea and air in a variety of mediums by Edward Day Gallery artists.
- Jennifer Walton
- James Ridyard
- John Oswald
- Jesse Boles
- Dianne Bos
- Diana Menzies
- Nada Sesar-Raffay
- Penelope Stewart
- Rebecca Last
- Peter Hill
- Andrew Morrow
- Leonard Brooks
- Stev’nn Hall
- William Irish
- Tomoyo Ihaya
- Tony Scherman
See you at The Day.
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Nada Sesar-Raffay
Release
June 5 - 28, 2010
Opening: Thursday June 10, 2010
6-8pm
Painter Nada Sesar-Raffay combines her sophisticated colour sense with a primal immediacy to create an exhilarating tension within her abstract surfaces. Internal scapes arise from within a pulsating chaos, allowing viewers an excavation of interior realms of crisis galvanized by paint.
A catalogue will accompany the exhibition.
“Ground (landscape)” (2010)
(installation shot),
video with soundtrack,
14 minute loop
John Oswald
illuminated
North Gallery until June 15, 2010
John Oswald’s new projections/videos and mixed media are installed in the North Gallery until June 15. Work includes eyeline, the chronophotic commission of three generations of the Nicole family as well as the ground video and wrapped projection piece.
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“In The Beginning” (2010), Lightjet print on Dibond, 33” x 72”
Peter Hill
Genesis and the Mapping of Memory
May 1 - 30, 2010
Opening: Saturday May 1st,
2-4pm
In his new show of photographs and paintings, Peter Hill illuminates the process of growth, memory and synchronicity. His paintings have incorporated a specific process for the last seven years. The first step consists of mixing colours, media and water directly on the canvas. The effect produces a swamp of activity and reactions that have been captured through the lens of a camera.
The recorded physical changes on the canvas help uncover this transformational process. In the transforming alchemy, there are cues that define the landscape. In following the “instinctive tourism of infancy” Peter has captured the genesis of their growth and in the process, has created a new relationship between painting and photography.
“Veils” (2008) detail, c-print on transparency on flexible light sheet,
33” x 72”
John Oswald
illuminated
May 1 - 30, 2010
Reception: Thursday May 13,
5-7pm
John Oswald’s new mixed media work will be installed in the North Gallery throughout the month of May, culminating in a reception at the gallery on May 13 from 6 – 8 pm.
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Untitled, 2009 (1/4). c-print, 58" x 81"
Jesse Boles
February 4th - March 9th, 2010
(MAIN GALLERY)
Opening Reception: Saturday February 6th, 2-4pm
Boles has been working in the Hamilton area to create an extension of his Crude Landscape series with new large-scale photographs depicting 21st Century interior landscapes of industrial spaces. Boles' compositions "consciously build upon the tradition of the 19th century landscape painting, and impress us with the sublime scale of modern industry. Boles also calls to mind cinematic scenes; his images often trace zones of industrial activity through artificial light." - Art Gallery of Hamilton.
Narbonne, France, 2001 (3/25). 18” x 18”, framed
Dianne Bos
February 4th - March 9th, 2010
(NORTH GALLERY)
Opening Reception: Saturday February 6th, 2-4pm
Dianne Bos has received national and international acclaim for her innovative work with pinhole photography. Bos states: “My work challenges the view of photography as a way to “capture an instant in time.” By using pinhole cameras and long exposure times I record, not an instant, but rather the passage of time at a site."



